Кому про гармошку интересно, то дальше только про .
Просто это несколько необычно для моего беспонтового блога, но придётся мириться и мне! Много текста.
Делалось это добро чуть менее года, сайт разработан в партнёрстве с компанией , это сильно допиленный drupal.
С надписью Property of Howard Levy, наверное терял не раз, зануда или опыт?=)
Как там всё устроено, сайт тормозной, причём не из-за большого количества учеников онлайн, но это не слишком напрягает, потому, что на одно видео камлаешь достаточное время. Народу онлайн примерно 2-8 человек круглые сутки в среднем. Первые 100 учеников получили понтовую графическую плюшку в постах форума типа ТОП100=) Леви немножко бизнесмен, а значит – разносторонне развитый человек во вторую очередь, вернее ему помогли хорошие люди.
Так происходит запись уроков в студии, нейтральный фон, пара камер.
Роликов реально сотни, не считая видеоответов ученикам. Смотреть весело, потому, что Говард басовый такой обаятельный дядька с благородной сединой и удачно шутит. Я бы не расписывал подробно, но специально для Zauberer и его гармошечной магии, которая мне тоже помогает учиться быстрее, уж больно он шустрый=) Опишу прямо подробно всю программу. Каждое из видео занимает от пары минут до 15 минут в зависимости от темы.
Разделы:
Basic Harmonica
| Meet the Harmonica Part 1 | |
| Meet the Harmonica Part 2 | |
| Tongue Blocking | |
| Hand Position Part 1 | |
| Hand Position Part 2 | |
| Names of Notes Part 1: The Tilt of the Harmonica | |
| Names of Notes Part 2: Blow Notes | |
| Names of Notes Part 3: Draw Notes | |
| Playing the C Major Scale in the 2nd Octave | |
| Intimate Instrument | |
| Smooth Breathing | |
| Scale Exercises Part 1 | |
| Scale Exercises Part 2 | |
| Scale Exercises Part 3 | |
| Scale Exercises Part 4 | |
| Scale Exercises Part 5 | |
| A Call For Videos | |
| “Row Row Row Your Boat” | |
| Ode to Joy | |
| “On Top of Old Smoky” | |
| Tempered, Just Intonation and Compromise Tunings | |
| “Oh! Susanna” | |
| Advanced Tongue Blocking | |
| More Tongue Tricks | |
| 2nd Position Cross Harp Part 1: Beginning Blues Licks and Vamping | |
| 2nd Position Cross Harp Part 2 | |
| 2nd Position Cross Harp Part 3: The 12-Bar Blues Progression | |
| 2nd Position Cross Harp Part 4: The Warble | |
| 2nd Position Cross Harp Part 5: Simple Blues Licks | |
| 2nd Position Cross Harp Part 6: More Blues Licks | |
| 2nd Position Cross Harp Part 7: “John Hardy” and Triple Tonguing | |
| 3rd Position Basic Part 1: Dorian Mode and “Scarborough Fair” | |
| 3rd Position Basic Part 2: Dorian Mode Scales and Exercises | |
| 3rd Position Basic Part 3: Min Pentatonic Scale, Min 6th Chord, Chromatic Harp | |
| 3rd Position Basic Part 4: “The Star of the County Down” | |
| 4th Position C Harp Part 1 | |
| 4th Position C Harp Part 2: “God Rest Ye Merry Gentlemen”; G Harp Intro | |
| 4th Position C Harp Part 3: Minor Pentatonic Scale | |
| 4th Position C Harp Part 4: “Summertime” | |
| 4th Position C Harp Part 5: Chords and Melody | |
| 4th Position C Harp Part 6: Spanish Music | |
| 5th Position Drone Box Part 1 | |
| 5th Position Drone Box Part 2: The Phrygian Mode | |
| 5th Position Drone Box Part 3: Improvising with the Drone Box | |
| 5th Position Drone Box Part 4: Summertime in 5th Position | |
| 6th Position Basic | |
| 12th Position Basic Part 1 | |
| 12th Position Basic Part 2: Lydian Mode with Drone Box | |
| 12th Position Basic Part 3: Amazing Grace | |
| 12th Position Basic Part 4: Chordal Playing | |
| 12th Position Basic Part 5: Dvorak New World Symphony | |
| 12th Position Basic Part 6: Conclusion | |
| Daily Practice Routin |
Intermediate Harmonica
| Bend Simply Part 1 | |
| Bend Simply Part 2: 1st Hole Draw | |
| Bend Simply Part 3: 4th Hole Draw | |
| Bend Simply Part 4: Blues Licks | |
| Bend Simply Part 5: 6th Hole Draw | |
| Bend Simply Part 6: 2nd Hole Draw | |
| Bend Simply Part 7: More 2nd Hole Draw | |
| Bend Simply Part 8: Notating Bends | |
| Bend Simply Part 9: More 2nd Hole Bending | |
| Bend Simply Part 10: 3rd Hole Draw | |
| Bend Simply Part 11: More 3rd Hole Draw | |
| Bend Simply Part 12: Vibrations and Advice | |
| Bend Simply Part 13 Call For Videos | |
| 8-9-10 Blow Part 1 | |
| 8-9-10 Blow Part 2: Bending 8 Blow | |
| 8-9-10 Blow Part 3: Bending 9 Blow, 1st Position Blues | |
| 8-9-10 Blow Part 4: Bending 10 Blow on C and G Harps | |
| 8-9-10 Blow Part 5: Difference Tones | |
| 8-9-10 Blow Part 6: Bending 7 (a little) | |
| 8-9-10 Blow Part 7: 1st Position Blues Licks | |
| Major Scales and Exercises Part 1: The First Octave | |
| Major Scales and Exercises Part 2: “The Star Spangled Banner” | |
| Major Scales and Exercises Part 3: 3 Octave Major Scale & All the Notes So Far | |
| Notes on the Harmonica Part 1 | |
| Notes on the Harmonica Part 2 | |
| Throat Tremolo Part 1 | |
| Throat Tremolo Part 2 | |
| Throat Tremolo Exhale | |
| Bend and Unbend Vibrato | |
| Blues Vamp Part 1: Vamps with Blues Licks | |
| Blues Vamp Part 2: More Vamps with Blues Licks | |
| Blues Vamp Part 3: Using The High Notes | |
| Pentatonic Scale Part 1: Country Blues and Hoedowns | |
| Pentatonic Scale Part 2: Exercises and Licks | |
| Pentatonic Scale Part 3: Call For Videos | |
| 12-Bar Blues Part 1 | |
| 12-Bar Blues Part 2: Tell a Story and Play Fills | |
| 12-Bar Blues Part 3: Shuffle in G | |
| 12-Bar Blues Part 4: Constructing Solos | |
| First Position Melodies | |
| First Position Blues Part 1: First Octave | |
| First Position Blues Part 2: Top Octave | |
| First Position Blues Part 3: On a G Harp | |
| Irish Washer Woman Part 1 | |
| Irish Washer Woman Part 2: Triple Tonguing | |
| Minuet In G Part 1 | |
| Minuet In G Part 2 | |
| First Position Jazz Part 1: The 2-5-1 Progression | |
| First Position Jazz Part 2: Play Along with Piano | |
| Call For Video: Jazz | |
| 3rd Position Intermediate Part 1: “Star of the County Down” | |
| 3rd Position Intermediate Part 2: Exercises and Minor Blues | |
| 3rd Position Intermediate Part 3: Minor Pentatonic Scale | |
| 3rd Position Intermediate Part 4: 3rd Position Blues in G on an F Harp | |
| 3rd Position Intermediate Part 5: Use 3 Harps for G Blues | |
| “Summertime” in 3rd Position | |
| Latin Music Part 1: 3rd Position Montunos | |
| Latin Music Part 2: More Montunos | |
| Jazz Tune In 3rd Position Part 1: C Minor on B Flat Harp | |
| Jazz Tune In 3rd Position Part 2: “Softly As In a Morning Sunrise” | |
| 4th Position Aeolian Part 1: Scales and Exercises | |
| 4th Position Aeolian Part 2: “The Rights of Man” and the A Minor Arpeggio | |
| 4th Position Aeolian Part 3: A Minor Blues | |
| 4th Position Aeolian Part 4: More A Minor Blues | |
| 4th Position Aeolian Part 5: E Minor on a G Harp | |
| 4th Position Harmonic Minor Part 1 | |
| 4th Position Harmonic Minor Part 2: Hava Nagilah | |
| “Summertime” in 4th Position | |
| 5th Position Part 1: Scales and Patterns | |
| 5th Position Part 2: Middle Eastern Microtonal Bent Notes | |
| 5th Position Part 3: Blues in 5th Position | |
| 5th Position Part 4 | |
| 5th Position Part 5 Call For Videos | |
| 6th Position Intermediate | |
| 12th Position Intermediate Part 1: Finding the Right Harp | |
| 12th Position Intermediate Part 2: Blues in 12th Position | |
| 12th Position Intermediate Part 3: Blues in G on a D Harp | |
| 12th Position Intermediate Part 4: “Swing Low Sweet Chariot” & “Amazing Grace” | |
| 12th Position Intermediate Part 5: Jazz in 12th Position | |
| 12th Position Intermediate Part 6: Introduction to “Rhythm Changes” | |
| 12th Position Intermediate Part 7: The Bridge of “Rhythm Changes” | |
| 12th Position Intermediate Part 8: Cup Playing on a G Harp | |
| Adjacent Notes Exercises Part 1 | |
| Adjacent Notes Exercises Part 2 | |
| Adjacent Notes Exercises Part 3 | |
| Adjacent Notes Exercises Part 4 | |
| Adjacent Notes Exercises Part 5 | |
| Adjacent Notes Exercises Part 6: D Flat Major Arpeggio | |
| Adjacent Notes Exercises Part 7 | |
| Adjacent Notes Exercises Part 8: Blow Bends | |
| Adjacent Notes Exercises Part 9: More Blow Bends | |
| Finding The Right Harp Part 1 | |
| Finding The Right Harp Part 2: Cross Harp | |
| Finding The Right Harp Part 3: What Key Are They In? | |
| Finding The Right Harp Part 4: On Different Keys | |
| Finding The Right Harp Part 5: The White Keys | |
| Finding The Right Harp Part 6: The Black Keys | |
| Finding The Right Harp Part 7: More Keys | |
| Finding The Right Harp Part 8: Key of B | |
| Finding The Right Harp Part 9: In Other Positions | |
| Tongue Block Bends | |
| Tone, The Overtone Series, Talking Through the Harp | |
| Sound Effects Part 1 | |
| Sound Effects Part 2: The Mug | |
| Bach Flute Sonata in E Minor, 1st Mvt: G Harp | |
| Bouree in E Minor by Bach: D Harp | |
| Modal Improvising: E Minor Phrygian | |
| D Minor 3rd Position Blues | |
| Playing in Seven | |
| Slow Dm Cross Harp Blues | |
| Salty Dog | |
| Sittin’ on Top of The World | |
| D Minor Latin Blues | |
| D Minor Latin Blues – Howard’s Performance | |
| Mystery Train |
Advanced Harmonica
| Ave Maria by Bach/Gounod: G Harp | |
| Bach Bourée on a D Harp | |
| Bach Bourée on a G Harp | |
| Advanced Tongue Blocking Part 1: Beethoven Violin Concerto | |
| Advanced Tongue Blocking Part 2: Beethoven Violin Concerto Continued | |
| Advanced Tongue Blocking Part 3: Jesu Joy | |
| Advanced Tongue Blocking Part 4: Jesu Joy Continued | |
| Advanced Tongue Blocking Part 5: Harmonica Concerto 2nd Mvt | |
| Advanced Tongue Blocking Part 6: Ode to Joy | |
| Advanced Tongue Blocking Part 7: Scale in Octaves | |
| Double Note Bends | |
| Overblows Part 1: Getting Started | |
| Overblows Part 2: 6th Hole | |
| Overblows Part 3: 6th Hole Overblow Exercises | |
| 5th Hole Overblows | |
| 4th Hole Overblows Part 1 | |
| 4th Hole Overblows Part 2 | |
| 1st Hole Overblows Part 1 | |
| 1st Hole Overblows Part 2: Two-Octave Chromatic Scale | |
| 7 Overdraw | |
| 9 Overdraw | |
| 10 Overdraw, Blues Licks, Chromatic Scale | |
| Adjusting Reed Clearances Part 1: Overblows | |
| Adjusting Reed Clearances Part 2: Overdraws | |
| Adjusting Reed Clearances Part 3: How Bends Work | |
| Badinerie | |
| Sleepers Awake Chorale: Low E Flat Harp | |
| Transposing Part 1: “Mary Had a Little Lamb” in C, G, D, and A | |
| Transposing Part 2: “Mary Had a Little Lamb” in E and B | |
| Transposing Part 3: “Mary Had a Little Lamb” in F | |
| Transposing Part 4: B Flat | |
| Transposing Part 5: E Flat | |
| Transposing Part 6: A Flat | |
| Transposing Part 7: C Sharp and D Flat | |
| Transposing Part 8: F Sharp and G Flat | |
| Bending in Tune: “Manhã de Carnival” on B Flat Harp | |
| Bending in Tune: “Manhã de Carnival” on G Harp | |
| “Hava Nagilah” on G Harp and B Flat Harp | |
| “Hava Nagilah” on C Harp | |
| Call For Video Advanced Tongue Blocking | |
| Call For Video Adjacent Holes | |
| Call For Video Overblows And Overdraws | |
| Call For Video “Manhã de Carnival” “Hava Nagila” | |
| Call For Video General | |
| “Stormy Monday” Part 1 | |
| “Stormy Monday” Part 2 | |
| “Stormy Monday” Part 3 | |
| Music Notation | |
| Major Scales and Key Signatures Part 1 | |
| Major Scales and Key Signatures Part 2 | |
| Major Scales and Key Signatures Part 3: Flat Keys | |
| Major Scales and Key Signatures Part 4: B Flat, E Flat, A Flat, D Flat | |
| Major Scales and Key Signatures Part 5: F Sharp, G Flat | |
| Major Scales and Key Signatures Part 6: Reading on Different Harps, Practicing | |
| 2-5-1′s and Seventh Chord Arpeggios | |
| 2-5-1 Jazz Licks Part 1 | |
| 2-5-1 Jazz Licks Part 2 | |
| 2-5-1 Jazz Licks Part 3: Through the Keys | |
| 2-5-1 Jazz Licks Part 4: More Through the Keys | |
| “How High the Moon” (C Harp) | |
| “How High the Moon” Ornithology: B Flat Harp | |
| Transposing “How High the Moon” | |
| Softly As In A Morning Sunrise Part 1: B Flat Harp | |
| Softly As In A Morning Sunrise Part 2: E Flat Harp | |
| Softly As In A Morning Sunrise Part 3: A Flat Harp | |
| Softly As In A Morning Sunrise Part 4: C Harp | |
| Softly As In A Morning Sunrise Part 5: Summary | |
| “Killer Joe” Part 1: C Harp | |
| “Killer Joe” Part 2: G Harp | |
| “Killer Joe” Part 3: F Harp | |
| “Night In Tunisia” Vamp Part 1: Altered Scale Runs | |
| “Night In Tunisia” Part 2: C and F Harps | |
| Rhythmic Breathing Part 1: 4 Stroke Roll and 3 Stroke Roll | |
| Rhythmic Breathing Part 2: Double Stroke Roll and Paradiddles | |
| Rhythmic Breathing Part 3: Ruffs, Harmonic Concerto Passage | |
| D Minor Cross Harp Blues with Overblows | |
| Diminished Scales | |
| Bach Invention #1 – Left Hand Part | |
| Blues in 5/4 | |
| Diminished Scales over ii-V-I Chords | |
| Mellow Bird Blues | |
| Song for My Father |
Virtuoso Harmonica
| On Green Dolphin Street by Bronislaw Kaper | |
| Morning In Rio | |
| Stop Time Blues Performance | |
| Stop Time Blues Explanation | |
| Slow F Sharp Blues | |
| Tri-State Boogie |
Blues Cross Reference
(тут сборная солянка из видео, но много нового по поводу звука, оверов, я пока не смотрел, пока я слушаю только beginners и intermediate, прокомментировать не могу)
| Meet the Harmonica Part 1 | |
| Meet the Harmonica Part 2 | |
| Tongue Blocking | |
| Hand Position Part 1 | |
| Hand Position Part 2 | |
| Names of Notes Part 1: The Tilt of the Harmonica | |
| Names of Notes Part 2: Blow Notes | |
| Names of Notes Part 3: Draw Notes | |
| Playing the C Major Scale in the 2nd Octave | |
| Intimate Instrument | |
| Smooth Breathing | |
| Scale Exercises Part 1 | |
| Scale Exercises Part 2 | |
| Scale Exercises Part 3 | |
| Scale Exercises Part 4 | |
| Scale Exercises Part 5 | |
| Tempered, Just Intonation and Compromise Tunings | |
| Advanced Tongue Blocking | |
| More Tongue Tricks | |
| 2nd Position Cross Harp Part 1: Beginning Blues Licks and Vamping | |
| 2nd Position Cross Harp Part 2 | |
| 2nd Position Cross Harp Part 3: The 12-Bar Blues Progression | |
| 2nd Position Cross Harp Part 4: The Warble | |
| 2nd Position Cross Harp Part 5: Simple Blues Licks | |
| 2nd Position Cross Harp Part 6: More Blues Licks | |
| 2nd Position Cross Harp Part 7: “John Hardy” and Triple Tonguing | |
| Daily Practice Routine | |
| Bend Simply Part 1 | |
| Bend Simply Part 2: 1st Hole Draw | |
| Bend Simply Part 3: 4th Hole Draw | |
| Bend Simply Part 4: Blues Licks | |
| Bend Simply Part 5: 6th Hole Draw | |
| Bend Simply Part 6: 2nd Hole Draw | |
| Bend Simply Part 7: More 2nd Hole Draw | |
| Bend Simply Part 8: Notating Bends | |
| Bend Simply Part 9: More 2nd Hole Bending | |
| Bend Simply Part 10: 3rd Hole Draw | |
| Bend Simply Part 11: More 3rd Hole Draw | |
| Bend Simply Part 12: Vibrations and Advice | |
| Bend Simply Part 13 Call For Videos | |
| 8-9-10 Blow Part 1 | |
| 8-9-10 Blow Part 2: Bending 8 Blow | |
| 8-9-10 Blow Part 3: Bending 9 Blow, 1st Position Blues | |
| 8-9-10 Blow Part 4: Bending 10 Blow on C and G Harps | |
| 8-9-10 Blow Part 5: Difference Tones | |
| 8-9-10 Blow Part 6: Bending 7 (a little) | |
| 8-9-10 Blow Part 7: 1st Position Blues Licks | |
| Notes on the Harmonica Part 1 | |
| Notes on the Harmonica Part 2 | |
| Throat Tremolo Part 1 | |
| Throat Tremolo Part 2 | |
| Throat Tremolo Exhale | |
| Blues Vamp Part 1: Vamps with Blues Licks | |
| Blues Vamp Part 2: More Vamps with Blues Licks | |
| Blues Vamp Part 3: Using The High Notes | |
| Pentatonic Scale Part 1: Country Blues and Hoedowns | |
| Pentatonic Scale Part 2: Exercises and Licks | |
| Pentatonic Scale Part 3: Call For Videos | |
| 12-Bar Blues Part 1 | |
| 12-Bar Blues Part 2: Tell a Story and Play Fills | |
| 12-Bar Blues Part 3: Shuffle in G | |
| 12-Bar Blues Part 4: Constructing Solos | |
| 3rd Position Intermediate Part 1: “Star of the County Down” | |
| 3rd Position Intermediate Part 2: Exercises and Minor Blues | |
| 3rd Position Intermediate Part 3: Minor Pentatonic Scale | |
| 3rd Position Intermediate Part 4: 3rd Position Blues in G on an F Harp | |
| 3rd Position Intermediate Part 5: Use 3 Harps for G Blues | |
| 4th Position Aeolian Part 1: Scales and Exercises | |
| 4th Position Aeolian Part 3: A Minor Blues | |
| 4th Position Aeolian Part 4: More A Minor Blues | |
| 4th Position Aeolian Part 5: E Minor on a G Harp | |
| 5th Position Part 1: Scales and Patterns | |
| 5th Position Part 3: Blues in 5th Position | |
| 6th Position Intermediate | |
| 12th Position Intermediate Part 1: Finding the Right Harp | |
| 12th Position Intermediate Part 2: Blues in 12th Position | |
| 12th Position Intermediate Part 3: Blues in G on a D Harp | |
| 12th Position Intermediate Part 8: Cup Playing on a G Harp | |
| Adjacent Notes Exercises Part 1 | |
| Adjacent Notes Exercises Part 2 | |
| Adjacent Notes Exercises Part 3 | |
| Adjacent Notes Exercises Part 4 | |
| Adjacent Notes Exercises Part 5 | |
| Adjacent Notes Exercises Part 7 | |
| Adjacent Notes Exercises Part 8: Blow Bends | |
| Adjacent Notes Exercises Part 9: More Blow Bends | |
| Finding The Right Harp Part 1 | |
| Finding The Right Harp Part 2: Cross Harp | |
| Finding The Right Harp Part 3: What Key Are They In? | |
| Finding The Right Harp Part 4: On Different Keys | |
| Finding The Right Harp Part 5: The White Keys | |
| Finding The Right Harp Part 6: The Black Keys | |
| Finding The Right Harp Part 7: More Keys | |
| Finding The Right Harp Part 8: Key of B | |
| Finding The Right Harp Part 9: In Other Positions | |
| Tongue Block Bends | |
| Tone, The Overtone Series, Talking Through the Harp | |
| Sound Effects Part 1 | |
| Sound Effects Part 2: The Mug | |
| Overblows Part 1: Getting Started | |
| Overblows Part 2: 6th Hole | |
| Overblows Part 3: 6th Hole Overblow Exercises | |
| 5th Hole Overblows | |
| 4th Hole Overblows Part 1 | |
| 4th Hole Overblows Part 2 | |
| 1st Hole Overblows Part 1 | |
| 1st Hole Overblows Part 2: Two-Octave Chromatic Scale | |
| 7 Overdraw | |
| 9 Overdraw | |
| 10 Overdraw, Blues Licks, Chromatic Scale | |
| Adjusting Reed Clearances Part 1: Overblows | |
| Adjusting Reed Clearances Part 2: Overdraws | |
| Adjusting Reed Clearances Part 3: How Bends Work | |
| Call For Video Adjacent Holes | |
| Call For Video Overblows And Overdraws | |
| Using a Microphone and Amplifier, Part 1 | |
| Using a Microphone and Amplifier, Part 2 | |
| Using a Microphone and Amplifier, Part 3 |
Jazz Cross Reference
| First Position Jazz Part 1: The 2-5-1 Progression | |
| First Position Jazz Part 2: Play Along with Piano | |
| Call For Video: Jazz | |
| Bend and Unbend Vibrato | |
| 3rd Position Intermediate Part 3: Minor Pentatonic Scale | |
| Latin Music Part 1: 3rd Position Montunos | |
| Latin Music Part 2: More Montunos | |
| Jazz Tune In 3rd Position Part 1: C Minor on B Flat Harp | |
| Jazz Tune In 3rd Position Part 2: “Softly As In a Morning Sunrise” | |
| 4th Position Aeolian Part 1: Scales and Exercises | |
| 4th Position Aeolian Part 3: A Minor Blues | |
| 4th Position Aeolian Part 4: More A Minor Blues | |
| 4th Position Aeolian Part 5: E Minor on a G Harp | |
| 4th Position Harmonic Minor Part 1 | |
| “Summertime” in 4th Position | |
| 5th Position Part 1: Scales and Patterns | |
| 5th Position Part 4 | |
| 5th Position Part 5 Call For Videos | |
| 6th Position Intermediate | |
| 12th Position Intermediate Part 5: Jazz in 12th Position | |
| 12th Position Intermediate Part 6: Introduction to “Rhythm Changes” | |
| 12th Position Intermediate Part 7: The Bridge of “Rhythm Changes” | |
| 12th Position Intermediate Part 8: Cup Playing on a G Harp | |
| Adjacent Notes Exercises Part 6: D Flat Major Arpeggio | |
| Adjacent Notes Exercises Part 9: More Blow Bends | |
| Tone, The Overtone Series, Talking Through the Harp | |
| Modal Improvising: E Minor Phrygian | |
| Slow Dm Cross Harp Blues | |
| D Minor 3rd Position Blues | |
| Overblows Part 1: Getting Started | |
| Overblows Part 2: 6th Hole | |
| Overblows Part 3: 6th Hole Overblow Exercises | |
| 5th Hole Overblows | |
| 4th Hole Overblows Part 1 | |
| 4th Hole Overblows Part 2 | |
| 1st Hole Overblows Part 1 | |
| 1st Hole Overblows Part 2: Two-Octave Chromatic Scale | |
| 7 Overdraw | |
| 9 Overdraw | |
| 10 Overdraw, Blues Licks, Chromatic Scale | |
| Adjusting Reed Clearances Part 1: Overblows | |
| Adjusting Reed Clearances Part 2: Overdraws | |
| Adjusting Reed Clearances Part 3: How Bends Work | |
| Transposing Part 1: “Mary Had a Little Lamb” in C, G, D, and A | |
| Transposing Part 2: “Mary Had a Little Lamb” in E and B | |
| Transposing Part 3: “Mary Had a Little Lamb” in F | |
| Transposing Part 4: B Flat | |
| Transposing Part 5: E Flat | |
| Transposing Part 6: A Flat | |
| Transposing Part 7: C Sharp and D Flat | |
| Transposing Part 8: F Sharp and G Flat | |
| Bending in Tune: “Manhã de Carnival” on B Flat Harp | |
| Bending in Tune: “Manhã de Carnival” on G Harp | |
| “Hava Nagilah” on G Harp and B Flat Harp | |
| “Hava Nagilah” on C Harp | |
| Call For Video Overblows And Overdraws | |
| Call For Video “Manhã de Carnival” “Hava Nagila” | |
| Call For Video General | |
| “Stormy Monday” Part 1 | |
| “Stormy Monday” Part 2 | |
| “Stormy Monday” Part 3 | |
| Music Notation | |
| Major Scales and Key Signatures Part 1 | |
| Major Scales and Key Signatures Part 2 | |
| Major Scales and Key Signatures Part 3: Flat Keys | |
| Major Scales and Key Signatures Part 4: B Flat, E Flat, A Flat, D Flat | |
| Major Scales and Key Signatures Part 5: F Sharp, G Flat | |
| Major Scales and Key Signatures Part 6: Reading on Different Harps, Practicing | |
| 2-5-1′s and Seventh Chord Arpeggios | |
| 2-5-1 Jazz Licks Part 1 | |
| 2-5-1 Jazz Licks Part 2 | |
| 2-5-1 Jazz Licks Part 3: Through the Keys | |
| 2-5-1 Jazz Licks Part 4: More Through the Keys | |
| “How High the Moon” (C Harp) | |
| “How High the Moon” Ornithology: B Flat Harp | |
| Transposing “How High the Moon” | |
| Softly As In A Morning Sunrise Part 1: B Flat Harp | |
| Softly As In A Morning Sunrise Part 2: E Flat Harp | |
| Softly As In A Morning Sunrise Part 3: A Flat Harp | |
| Softly As In A Morning Sunrise Part 4: C Harp | |
| Softly As In A Morning Sunrise Part 5: Summary | |
| “Killer Joe” Part 1: C Harp | |
| “Killer Joe” Part 2: G Harp | |
| “Killer Joe” Part 3: F Harp | |
| “Night In Tunisia” Vamp Part 1: Altered Scale Runs | |
| “Night In Tunisia” Part 2: C and F Harps | |
| D Minor Cross Harp Blues with Overblows | |
| Diminished Scales | |
| Blues in 5/4 | |
| Diminished Scales over ii-V-I Chords | |
| Mellow Bird Blues | |
| Song for My Father | |
| On Green Dolphin Street by Bronislaw Kaper | |
| Morning In Rio | |
| Stop Time Blues Performance | |
| Stop Time Blues Explanation | |
| Slow F Sharp Blues | |
| Tri-State Boogie |
Конечно самый цимес в том, что в каждом из разделов есть отдельное обращение, называемое “A Call For Videos”, где Говард намекает, что нужно отправить ему видео через специальную форму, чтобы он смог покритиковать. Соответственно, для каждого из разделов растёт количество видео, которые отправлены учениками и каждое из которых Говард разбирает, таким образом, тема раскрывается даже более чем в оригинальном видео – дерево начинает цвести лепестками. По крайней мере, незаметно, что он халявит. Всё даже с каким то уважением к ученику, ну и кадры такие попадаются=) “Всем известная” Кристел там висит сейчас кучу времени (видно кто онлайн), представилась начинающим игроком в профиле=). Ну так и понятно, это же Леви, 40 лет стажа of reinventing harmonica.
Тем более, что языковая практика очень мне нужна, но это само собой бесплатно вместе с моим акцентом, гг.
Итого выходит 60$ за три месяца, 20$ за месяц. Это важный момент. 5$ неделя! + возможность отправлять видео “по степени своей готовности к нему” – это крайне тоже важно.
На групповых занятиях (я занимался ранее) было важно соблюдать группу, а это потом становится малореально, ибо прогресс идёт по-разному и суббота день занятий, это такой специфический день после пятницы. Сейчас я опять работаю на дому и мне пофигу на дни недели, но раньше это просто убивало.
Некоторые моменты у меня вызывают трудность всего на день, а некоторые неделями не выходят, вот тут важный момент отчётности перед преподавателем, который вкладывает в тебя свои силы. В частности простое упражнение, которое заточено на “нотное” понимание гармошки как инструмента. Это отличное упражнение, вроде гаммы, но допустим, по четыре ноты со сдвигом вызвало у меня редкие тормоза, конечно, проще играть по табам, чем понять как работает гармошка по гаммам со сдвигом на ноту:
До Ре Ми Фа
Ре Ми Фа Соль
Ми Фа Соль Ля
итд до конца трёх октав.
Тут хочешь не хочешь поймёшь все приколы Рихтеровского строя (С) – сложная первая октава, простая вторая, хитрый переход на третью и обратно. Хочешь не хочешь – это будут уже не дырки а ноты и забыть про табы для кастратов.
Потом как пример, триолями то же самое, Влад Крыжановский о похожем преподаёт, идите к нему заниматься, он крут, заставит дышать как надо=) Я только только правильно под метроном гаммы делать начинаю, хотя мелодии не сложные играю уже давно (по табам, блин). Где-то в ритм с мелодиями не попал – это незаметно без аккомпанимента, а такие гаммы или гаммы со смещением – тут всё как на ладони. Диагноз очевиден. Пациент недостаточно талантлив, но упорен=) А упорство – оно вознаграждается всегда. Должно вознаградится.
Говард бывает отвлекается от темы, подогревая процесс, так сказать, сравнивая игру на гармошке с йогой или медитацией. Конечно, это интересно, как могло так случиться, что какие-то ноты звучащие совместно вызывают у нас в мозгу диссонанс, от некоторых хочется плакать, а некоторые заставляют бежать быстро-быстро…
Также, были практические старые вопросы, вроде выбора преампа до 20000 руб. Итого – у меня есть Муз процессор tc electronics, есть комбик aad ag-100 by Phil Jones, и кажется я благодаря их форуму определился с преампом: это весьма недорогой . (Леви советует) Это должен быть очень неплохой выбор за небольшую цену всего до 150$ !!!.
В кандидатах на рассмотрение ещё
и но я уже определился.
Игрушки, такие игрушки.
Тем более есть радостная IT новость – ebay типа официально приходит к нам 16 марта ориентировочно вместе с paypal на приём(?), так что умно было бы уже строить планы нашим продавцам тоже. Virtue и Choy могут озолотиться, я так понимаю!
Но я, конечно, ещё понимаю, что это просто пока игрушки, которые можно себе позволить. Очень много надо работать над этим прекрасным и гордым инструментом. Это ещё вопрос – я играю на нём или он на мне. Или мы на всём или всё на нас. =)
На форуме гармошечном я не буду постить, потому, что я считаю, что я пока молод ещё. А в личном блоге нет проблем.
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http://sarmanov.com/ext/aHR0cDovLw== Zauberer
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http://sarmanov.com/ext/aHR0cDovLw== Zauberer
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